Sean Essary – Better at Being Lonely

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Warm Synth Pop vibes meet heartbreaking lyrics on new single ‘Better at Being Lonely’ from new artist Sean Essary 
BENTONVILLE, AR – A lot of great artists over the years have gotten their start from humble beginnings. Many of them, in fact, found their first big hits while collaborating with others at songwriting workshops or in songwriting sessions with other artists in the studio. Arkansas artist Sean Essary is on his way to joining those legends with his new hit single “Better at Being Lonely.” It’s a song he wrote during a songwriting class he took earlier this year with the famous Ryan Tedder, front man for the band One Republic and one of the most sought-after producers in the music industry today. It’s a song that captures infectious melodies and grooves that compel listeners to move their bodies, but which is set against deeper lyrics that will make listeners think more deeply about their own lives.

“It’s about getting over a relationship or trying to move on and acknowledging that it’s not gonna happen,” Essary said. “Since we can’t be together, I need to get better at being lonely. I’m drawn to the juxtaposition of heartbreaking lyrics and upbeat rhythms. Effectively, my goal is to make people cry while dancing.”

Though Essary’s roots are in Bluegrass, the kind of music he’s creating today sits more in the lanes of Pop and EDM. He’s experimenting with the organic inspiration of electronic 80s Synth Pop and its fusion with other genres and sound. He said he loves how those sounds create a “sonic warmth and a commercial crispness” for the listener. He’s a big fan of artists like Charlie Puth and John Mayer, and said that “Better at Being Lonely” has a little influence by the sound and style of Justin Bieber – specifically his newer single “Anyone.”

“I just like something a bit more rhythmic because it’s not something I grew up with,” he said. “I like the warm-sounding synths and the big drum sounds. That’s where the 80s influences come from in my music. Then I combine that with strong melodies over the top. Ultimately, I want to make music people can relate to and feel when they listen to it. I want them to have a good time, but I’m not trying to just create a party song that you can dance to and then forget it. I want to create songs that you take with you long after you hear it.

In addition to “Better at Being Lonely,” Essary said he also wrote the single “Dangerous” at the Ryan Tedder songwriting workshop, which he plans to release in the next couple of months. He said he has plans for even more singles later this year, as well.

To listen to his music or to follow him on social media, please visit:

<a href=”https://soundcloud.com/seanessary/better-at-being-lonely/s-IemML4NwyuY”>Better At Being Lonely</a>

<a href=”https://www.instagram.com/seanessary/”>Instagram</a>

<a href=”https://www.tiktok.com/@seanessary92?lang=en”>Tiktok</a>

<a href=”https://www.facebook.com/sean.essary.9″>Facebook</a>

Clémon III – Rollin Xo

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Versatility, good vibes, and inspirational tracks combine on new album ‘H’ from Midwest artist Clémon

CLEVELAND, OH – Hayward Clémon Smith III – best known by his stage names Clémon or Clémon III – is an American rapper, record producer, record executive, and entrepreneur. Born in Cleveland, Ohio, and raised in Philadelphia, he’s a naturally born artist who started as a musician in church before playing in bands throughout high school and eventually starting his own record label, Third Breed Entertainment. At the end of 2020 he released his breakthrough album, “H,” which has been getting major raves from critics and fans in the months since. Featuring hit singles like “Rollin Xo” and “Buss U Down,” the album is a great example of the unique sound and style that Clémon brings to the international music market.

“This album has something on there for everybody,” Clémon said. “H is what they call me on the streets, and that’s what this project is: it’s just me. It’s about me. It’s about how I live and how I am and the stuff I think about the people I lost and the relationships I have and stuntin’ with the gang. I’m not really going for a theme, like some of the other projects I’ve released. I’m just giving you my life in a raw and real way.”

Throughout that journey Clémon not only creates upbeat vibes that entice listeners, but he also introduces some wittiness and humor in a lot of the tracks. Take “Buss U Down,” for example. It’s a song about stealing a girl from another guy. Told from the point of view of a guy who is hanging out at a gas station, the song describes the moment when a “little shorty” rolls up to the station with her man. As he goes into the store, Clémon rolls up to her and starts talking to her. “And I basically bag her and take her from her dude,” he said. “I tell her, ‘Call me anytime you need me to buss you down.’”

“Rollin Xo” is another example of Clémon’s witty wordplay. It’s an upbeat song that’s a little bit of “talking shit,” he said, though overall it’s a nice song to bump if you’re partying or turning up. He said he was just having fun in the studio when he created this song, and it’s become one of the most-liked tracks by audiences all over the world.

Though he’s glad fans are enjoying the music and having a good time, overall he hopes listeners will not only appreciate his versatility as an artist, but also his passion for embracing the unique qualities that make him an individual – and how others can do that, as well.

“I grew up in a church and not everybody understands why I did what I did and why I do what I do,” he said. “I do me, no matter what. My life motto is Don’t bit This, Do You. I just do myself. I do whatever I want to do. Nobody can tell me what type of music I need to be making. Everybody else has a gimmick in the industry – like one specific style that they do – but I want to be known to excel in multiple genres. And I want to be known as an artist who didn’t just make it, but who was top notch. All of my music has to be top notch.”

Following the success of “H,” Clémon said he’s working with another artist named YHN Trenches on a new album called “Blessings,” which is tentatively scheduled to drop later this year. Prior to that the two will collaborate on the upcoming single “Switch Lanes.”

To listen to Clémon’s music, or to follow him on social media, please visit the following links:

Rollin Xo 

https://youtu.be/rn7a7lV79j8

Buss U Down

https://youtu.be/VMGP7fH00kc

https://youtube.com/channel/UCueLjyylT_aJnApVGMbzOzw

https://music.apple.com/us/artist/clemon-iii/1453439422

https://open.spotify.com/artist/0B4L2CChTFBxgp7Wlz2NsV?si=DHzDl8aqRRmTPNaqjJoNHQ

https://tidal.com/artist/22284878

https://www.instagram.com/keepdoubtinh/

Keyz Emmanuel – Lo Ballo

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Italian vogue dancer DoIores Ninja partners with Nigerian music artist Keyz Emmanuel for upbeat dance track ‘Io BalIo’

LOS ANGELES, CA – For as Iong as she can remember, DoIores Ninja has been saying the phrase “Io BalIo.” Pronounced “ee-o ba-lo” … the catchy phrase means “I Dance” in Italian. If something challenging comes into her life … “Io BalIo.” If she just wants to let Ioose for a night and have fun … “Io BalIo.” It’s a phrase that has deep meaning for this dancer from Italy, and it’s soon to be a phrase on the lips of music Iovers worldwide.

Fittingly, “Io BalIo” is the name of the newest single from international artist Keyz Emmanuel and DoIores Ninja. True to its name, it’s an upbeat dance track that’s perfect for the clubs and necessary for a world weary of hardships and pain. Written as a way to inspire others to get up and move, the single is the natural next step for an artist who has become known for her dancing among the uppermost echeIon of artists in the world. Featured on the hit HBO show “Legendary,” which highlights the dance phenomenon racing around the world known as Voguing, DoIores has Iong been an artist who pushes boundaries. As a vogue dancer, she embraces movement and incorporates progressive high fashion into an expression that’s like Madonna meets the modeling runway. And that’s the vibe she brings to the table with this latest single.

“I try to keep my artistry complete with my dance and use music as an escape for people,” DoIores said. “I want people to feel good when they hear my song. I want to make them travel with their imaginations and to be able to dance and share their emotions. When you hear this record, you can see something and dream about whomever you want and go wherever you want. The visual side of the art is what I really Iove.”

DoIores and Keyz first started down this collaborative path when their producer, Phoenix Red, brought them together. Having produced the track that he thought would be perfect for the two artists, Phoenix contacted Keyz and told him his vision for the record. Eventually the three of them came together for a recording session in Las Vegas that all of them say was “Magical” in how effortless and creative it was.

Keyz is a Nigerian-born music artist who plays the piano and a variety of percussive instruments. Currently based out of Ohio, this young artist brings a different vibe – a fresh kind of vibe – to the music world. The juxtaposition of Nigerian Afrobeat influences and Italian high art influences make for a truly original sound and style on “Io BalIo.”

“I believe in the quality of the vibe we’ve created,” Keyz said. “You can feel it. We came in with great energy and it’s just different. Ultimately, I believe that it’s about breaking barriers and building bridges that help people from different places around the world to connect and have

fun. We can still connect in the midst of all this chaos. So, let’s get back to a time when everyone can have fun.”

With the music video slated for premier the same day, “Io BalIo” was released on all major streaming platforms March 26th.

To listen to Keyz and DoIores Ninja’s music or to follow them on social media, please visit:

https://open.spotify.com/track/7ALXJtDZBnwEMSieHvoFuQ?si=53c453917f2d443c

Music Video: https://www.youtube.com/watch?v=JQVN7d2qGLA_
Keyz Instagram: https://www.instagram.com/iamkeyzemmanuel/
Dolores Instagram: https://www.instagram.com/doIoresninja/

BeeUpNext – Romance

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BeeUpNext Puts the Fun Back in ‘Romance’

JACKSONVILLE – Nineteen year-old Brandon Seward, aka BeeUpNext, blends his vocal training from childhood with the hip hop vibes he’s perfecting the past few years in his home studio. These skills, and his wide variety of influences, combine to make him a true original, an artist who shows promise through his versatility and creativity.

That hybrid is palpable on his new single “Romance.” Blending sultry melodies, twinkly beats, and rap verses that contrast the seduction story sung elsewhere – the pop sensibility and relatable message of romantic confusion make “Romance” fun but never vapid. It’s not a heavy, braggadocious club track, and listeners will want to move their bodies to it all the more.

Despite his youth, BeeUpNext has familiarity with ways of making music many would call OG. In his sophomore year of high school, he remembers going with a friend to record at the house of another friend who had a microphone and software. The rapper’s introduction to production was to send his raw vocals to an engineer friend, who’d return it with beats. “Anything he sent me back would sound fire,” Seward says.

Still, he knew he needed a home studio, so he upgraded his equipment and found himself leveled up in a lot of ways. “My creativity boosted to a whole different level. I let everyone know that I’m an artist. This is what I want to do. My senior year, this year, I’ve really been investing in myself so I can brand myself as an artist and be taken seriously,” he explains.

Seward plans to drop “Bee’s World” on April 23 – an EP featuring his recent work. Until then, “Romance” is available on all major streaming sites for fans to check out.

City Da King – Murdermore

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City da King is Baltimore-Strong on Three Singles

BALTIMORE – “I love my city. I love my town. I’m striving to be great, and I’m not afraid to be myself,” says Baltimore singer-rapper City da King. City grew up rough, ousted by his mother and forced to sell drugs on the street starting at age 13. The next years brought devastating losses, leaving City with pain he shares easily and a truly empowering growth story.

“Baltimore builds you to be able to be strong and to be able to make it through life. I am a true product of Baltimore. I’ve been through the worst of the worst. I overcame it and still was able to obtain a psychology degree and continue to strive,” says City. His musical striving has paid off as well; he’s opened for Future, Jezzy, Rakim, Dru Hill, and more.

He documents the worst parts of Baltimore, the dangerous street life in his recent single “Murdermore.” He made the song shortly after leaving the band N.I.T. and realizing what freedom he now had as a solo artist. “’Murdermore’ was the record that let me spread my wings. That song came out of a lot of pain, a lot of frustration, a lot of anger, a lot of hardships I’d been through. It was a raw record. It was something that came over me. It helped me release a lot of pent-up stuff,” says the artist. The song’s poetically harsh lyrics and layered tracks of singing and rapping help make it memorable, and Baltimore locals are quickly finding it relevant and anthemic.

City’s singing ability is one of his assets. “I have a singing background, so I can bring some harmonies and pretty dope melodies to records,” he says, explaining one facet of his versatility. “My versatility comes in my ability to be able to experiment and be creative with the music instead of being locked into one type of sound. It’s not just about hardcore hip hop. There are touchy love records, some inspirational music, some downright you-in-the-mud-trying-to-get-out-of-the-mud-music,” he says.

He celebrates this versatility and originality in his song “One Me” from a project with the same name. With a sultry, melodic vibe, the song celebrates individuality, a pushback against the music industry’s attempt to force replication of sounds. As the artist says, “In a time when we see that the industry is copycattish where everyone wants to do what the other artists are doing. ‘One Me’ is a testament to how we’re all special. We’re all individuals. We’re all unique in our own selves.”

But City knows that maintaining authenticity and individuality can come at a price. “I went through a lot of scenarios that people would look down on and a lot of people would not be proud of. I am not proud of all my experience. But I am saying I am not running from the experiences that made me who I am. I’m grateful and blessed, and I wouldn’t change what I went through because ultimately that made me who I am,” he explains.

He remembers the backlash when Kanye West was running for president, how quickly people said he’d lost his mind. The comments happened to hit City when he was thinking and writing about what it means to be real, especially in an industry that doesn’t value that. “We go through things that challenge us mentally. I felt like on that record people would think I was losing my mind. That was the inspiration. When I wrote the record, it was around the time Kanye was running for president. We all know the type of energy that he was getting, people saying he was losing his mind. I’m losing my mind and going ballistic because you never know who’s real and authentic in this world, especially in the music industry,” City says of the track, which he compares to a soulful Rod Wave record.

“Ye Yeah,” like “One Me” and “Murdermore” are selfies of a man who’s found the strength to talk about the hard, important things in life. But he does it with such dexterity that he switches lanes easily, moving from painful anthems about street life to the power of one to trying to stay grounded as a musician. He plans more singles, and there’s no doubt they’ll be as genuine and autobiographical as these.

VUNG – Slow

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“Slow” Down And Unwind With VUNG

Victor Ajamolaya manifests mindfulness of his own identity. Originally from Nigeria, Victor (AKA VUNG) moved to Alberta, Canada to further his education. Though he began writing songs at age 8, 2020 witnessed VUNG’s emergence as a full-fledged songwriter. “I was going through a lot,” said VUNG. “And I always express myself more in art than in life. I thought, ‘At this point, I’ll do whatever it takes.’ I realized that this is the only thing that makes me happy.”

Heartfelt, VUNG’s latest album, finds the artist meditating on themes of personal renewal, romance, and defying the expectations of others. On the album opener, “Know Me,” VUNG sings, “They didn’t know me, now they know me. Came up, I don’t miss the old me.” On the theme of this song, VUNG explained, “I used to be kind of insecure about my sound. I thought maybe people wouldn’t like it.” He continued, “Now I get a lot of people that appreciate me. So it’s like I’m more confident now than I was. I prefer the confident me to the timid me.”

“Don’t Try,” emphasizes the importance of temporarily retreating from life to re-energize oneself. Though VUNG grinds and hustles, he recognizes the need to minimize distraction and interference. “Personally I think my whole focus right now is on the future,” said VUNG. “Anything that tries to district me, I don’t let it weigh me down. If something’s distracting me, I get rid of it immediately.”

VUNG filmed a sultry music video for the Heartfelt song “Slow.” “At first I was scared to release the song,” VUNG admitted. “I wasn’t sure about it. But that was the most streamed song [on Heartfelt] so I wanted to give my audience a video to it.” The song finds a protagonist bewitched by a dancer. “Show me how your body roll,” VUNG sings against an enticing, hazy R & B beat.

VUNG noted that he likes to make music based on how a beat makes him feel. That’s the central motif behind Heartfelt. Each individual track represents pure, unadulterated emotion. “The beat has to inspire me first,” said VUNG. “and I do what I want with it.” Whether in music or life, VUNG has dedicated himself to doing what he wants. His next single “Solo” celebrates this kind of unbridled independence. VUNG said a music video is also in the works for the song. He will be dropping it soon.

In addition to “Solo,” VUNG told fans to expect more music in the very near future. “I actually have another EP I’m working on,” he said. “Keep following me. I won’t let you down.”

Stream the “Slow” music video and follow VUNG on all social media channels.

https://www.youtube.com/watch?v=E5fGEPMjCaQ

https://Instagram.com/whoisvung

https://twitter.com/whoisvung

Real Deal Wit It – No Cap

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Midwest artist Real Deal Wit It shares inspiring musical journey with ever-widening global fanbase

AKRON, OH – To understand the music and talent of Midwest artist Real Deal Wit It, you have to understand where he comes from. Living in the streets of Akron, Ohio is already a rough starting place, but add to that a crack-addicted mother and an absent father and it’s easy to see how this young man might be led to a life of drugs and violence. By the age of 14 he was in-and-out of juvenile prison while dodging life-or-death situations on the streets. But through it all, music was his escape. Artists such as Tupac and Tribe Called Quest became sources of refuge for him, and ultimately became the inspiration behind his own creative outlet of songwriting and recording.

Today Real Deal Wit it is a bona fide hit-maker whose star is quickly on the rise. His upcoming new single, “No Capp,” is an eagerly anticipated track that showcases his unique sound and style. It’s a street banger, but with heart behind it and a message that he hopes will resonate with others living on the street in ways that motivate them to pursue a different walk of life.

“I took it back to the hood with this one,” he said. “As soon as you hear it and hear the 808s, your head starts bobbing and you’re gonna put it on repeat. Ultimately it’s about what it means to be a street dude and living the street life while also trying to live the better life you said you were gonna live.”

It’s the first single off his forthcoming album, “WHIZ,” which is slated to drop later this year. Serving as an anagram for Writing Hits In my Zone, the album also pays homage to his late brother who was murdered last year. His nickname was also Whiz. The project is one that will further showcase the natural talent of this fast-rising young artist, and continue the momentum that started with his previous album, “Real Estate,” which is currently available across all streaming platforms.

“When I make music, you’re not gonna be able to box me into one specific category,” Real Deal Wit It said. “I’m somebody who’s bringing a lot of lyrical content back into the game. I’m talking about situations and things I’ve been through, or others have been through, in ways that are fun and inspiring. I could write about anything. I might write about my favorite barbecue chips if that’s what I need to write about. Whatever is in the moment that inspires me, that’s what I’ll roll with. A lot of people don’t expect that from me because I come from a background that’s very serious. I can make music that talks about that, but I also make music about things I’m trying that’s new and different. And I’m trying to make a new life instead of celebrating the street life and those serious things. If you put it in your mind first that it’s something you want to do, and make sure it’s in your heart and follow through, you can accomplish anything.”

To listen to Real Deal Wit It’s music, or to follow him on social media, please visit the following links:

https://youtube.com/channel/UCD4JHN_wM1HM0cT1J_HQ4kw
https://youtu.be/ct8SE2uVR6Y

twitter.com/realdealwitit5
instagram.com/mbtg_realdeal

Just DOM – Dying To Live

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Journey of self-healing serves as foundation for new music career from East Coast artist Just Dom

BRONX, NY – Dominique “Just Dom” Cox is a man whose spiritual journey has taken him far over the years. From a life that brushed up against violence and drugs on the streets to a spiritual awakening that today encapsulates a lifestyle that motivates all others around him, this young man has a story that’s inspiring. He’s sharing that story through song with his debut single “Dying To Live,” which is currently available across all streaming platforms.

Written in response to the dark times so many people around the world find themselves in these days, the song pushes a message of motivation to all those who are thinking about quitting or who lack self-discipline to see things through. It’s a song that born from his own struggle of trying to figure out what he was going to do with his life, and ultimately discovering his life and his purpose.

“I’ve been doing massage therapy for almost 10 years, and that started when I decided to change my life and understand that I’m in control,” Just Dom said. “Growing up I had a rough upbringing, and I did some things I wasn’t so proud of. I got to a point where I had to ask myself: Am I dying to live or living to die? That’s the message I’m pushing with this song. The words and things I think sand say are direct manifestations of me and what I want for myself. You can take back your power and understand how powerful your words are and believe in yourself. That’s the whole purpose of this song.”

It’s not just the words that are powerful, either. King Dom said the video that will be released in coming weeks will serve as a visual motivation that’s the perfect accompaniment to the song. Visually, it will show people a transition from the times they’re in right now to a time of freedom represented by nature and being outdoors and not having to wear masks all the time. For those illustrative times of nature scenes were shot in Woodstock, and those moments will be juxtaposed against scenes of Just Dom in on the train station on Grant Avenue in Queens, as well as on the E Train in Long Beach.

The combination of visual art with his thought-provoking lyrics makes for a deeply conscious musician who is set to leave a definitive mark in the music industry. Following “Dying To Live,” Just Dom said he’s preparing to release a second single called “Hood Cry,” featuring an artist named Castro, which is another empowering and motivational song for the masses.

“My music is more conscious and ultimately I hope is known for being more vibe music,” he said. “There’s not anything you can put in a specific genre, it’s just feel-good music. It’s the kind of music you can drive in the car and it feels good to turn on, or you can play it in the morning and it motivates you for the day. That’s the kind of sound and inspirational vibe I want to continue to produce.”

DYING TO LIVE just DOM from NewMinds Studio on Vimeo.

To listen to Just Dom’s music, or to follow him on social media, please visit the following links:

https://vimeo.com/user11223491/download/524541872/e9cd581353

https://vimeo.com/476549530

https://www.justdommusic.com/

Instagram: @justdommusic

Deezy On Da Beat Feat. Daphne Dash – Trail Ride

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Hot new Zydeco/Hip-hop groove ‘Trail Ride’ offers music lovers a feel-good vibe

ATLANTA, GA – Zydeco and hip-hop gets some new flavor on the hit new single “Trail Ride,” featuring Louisiana artists Deezy On Da Beat and Daphne Dash. Showcasing a bouncy beat with a distinct old-school country melody in the background, the song almost makes you feel like you’re on the back of a horse doing a fast trot, bouncing along to the rhythm. Its catchy hooks and fun flows make for a truly original take on Zydeco music, and serves as the perfect platform upon which to showcase these two artists’ unique sound and style.

“Trail Ride in Louisiana is a gathering,” Deezy on da Beat said. “We have horses and we blaze trails and there are four wheelers and good food and good family and dancing and Zydeco music and Soul and Funk … it’s that whole culture all together. It’s just a big gathering that’s fun and full of live performances. We all grew up in that culture, and we love Zydeco music. Not many people mess with that genre much and experiment with Zydeco much, and we brought our flavor into it.”

The song was inspired by the late DJ Star, from Monroe, Louisiana, who told Deezy he should merge hip-hop and Zydeco and set him on the path to making this hit single. Sadly, DJ Star passed away before the finished song came out.

Deezy on da Beat is an American songwriter, producer, engineer and CEO of Cutcha Radio up Productions. Based in Atlanta, Georgia, but originally from Jonesboro, Louisiana, Deezy began writing and producing as young as 10 years old. Over the years he’s had the opportunity to work with major artists such as Lil Snupe, Meek Mill, Lil Baby, Yo Gotti, Master P and more. His music is influenced by Southern hip-hop, R&B, Funk and Soul music.

Some years ago he and Daphne Dash connected in Atlanta and bonded over their shared Louisiana heritage. They’ve been working together ever since and are excited to share this latest single with the world. It’s a song that he said not only gives Zydeco music a new seasoning of sound, but just lets people sit back and have fun.

“We’re bringing pure authenticity through our music,” Deezy said. “We make everything from scratch. All of our records we produce, engineer and write. Every track we make is a real vibe. And at the end of the day we hope our music is known for making people feel good and want to dance and just spreading good, positive vibes.”

In addition to the original version of “Trail Ride,” the group also released a club version of the song that features another artist named Level. That version has made its radio debut in in Monroe, Louisiana on 100.1 The Beat since its release. Deezy said he and Daphne plan to follow up with more albums this year, but you can listen to Deezy on da Beat’s six-song EP “The Gift” and Daphne’s EP “Purple Love” on all streaming platforms.

To listen to Deezy on da Beat’s music, or to follow him on social media, please visit the following links:

 “Trail Ride” (Feat Daphne Dash & Zydeco Kid)

https://youtu.be/CH93kPnOds8

Social Media:
Instagram:  @deezyondabeat 
Twitter: @deezyondabeat
Facebook: Deezy On Da Beat
TikTok: @deezyondabeat 

@daphnedash404

Kenjii Yokota – RR

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Memphis rapper puts unique spin on Deep South
Hip-Hop with new album ‘In Due Time’

MEMPHIS, TN – Kenjii Yokota has a wide range of diverse sounds and variations that most have never heard come out of the Southern U.S. Hailing from Memphis, Tennessee – a town known for its rich Blues history – this hip-hop artists displays a talent that speaks for itself. His flow, delivery and distinct wordplay display an expertise normally only seen in seasoned artists. But this 24-year-old fast-rising star shows a maturity beyond his years and a quality of music that most in the game would die to possess.

His latest album puts that talent on full display. “In Due Time,” which is currently available across all streaming platforms, is an honest representation of where this young artist is in his life at the moment. It shares with the world his ups and downs and gives fans an inside look into where his music comes from and the inspirations behind his hit songs.

“Sometimes I don’t know where to go with my life and all I know is I got music,” Kenjii said. “Like a lot of other people out there, I’m just a young kid who is kind of lost and trying to find his way, and he’s only got music. That’s what this album is.”

The hip-hop and R&B fusion of sound on the album is blended with his Southern style for a truly original offering. With tracks like “RR,” which is the standout single on the album, Kenjii showcases an ability to both entertain and challenge listeners. The rapid-fire flow and catchy hook of “RR” makes it the perfect introduction to his new album. Listeners can’t help but smile as they dream with Kenjii about the rewards of success and driving around in Rolls Royces.

Kenjii Yokota – who said he chose his stage name as a nod to the Anime stories of his youth – said music fell into his lap in 2016. A lot of things happened in his life that year. It was his first year out of high school and the sense of having no direction in his life made for a lot of confusion and turmoil. Music was something that he said seemed like God throwing him a lot to hold onto in the middle of tumultuous stream. He’s been running with it ever since, and his first mixtape “Kenjii Yokota Vol. 1,” released in 2018, was a resounding success. Since then he has released two other projects and is now set to give the world his most ambitious album yet with “In Due Time.”

“I think what makes me stand out is my honesty in my songs,” he said. “I’m an underdog waiting for my shot. I really don’t have any help. It’s just me trying to make it happen. But my work ethic is strong and I’m diverse as an artist. I do more than just rap. I’m singing a lot on this album and showing off my skillset. At the end of the day, I want my music to be known for being motivational. I think my songs can be inspirational and that I can show people that you can overcome anything.”